Notes on Vintage Gear
- We're still updating pictures. If you want more pictures, just text us with the model number you're looking for (616-369-8366)
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- 1-year warranty on anything over $500. 30-day warranty on anything under $500. Excludes user error (ie if you blow it up). Return shipping responsibility of customer.
Bring Back Analog
Sansui QS-100
Sansui QS-100
Overview
The Sansui QS-100 is an early-1970s four-channel rear amplifier designed to turn an existing two-channel stereo system into a quadraphonic setup. Rather than replacing a listener’s receiver or integrated amplifier, it adds the decoding circuitry and amplification needed for the two rear speakers.
Why This Model Matters
The QS-100 comes from the period when Sansui was one of the companies most closely associated with matrix quadraphonic sound. Its built-in QS synthesizer/decoder could process compatible matrix-encoded material while also creating a four-channel sound field from conventional stereo sources. This made the transition to quadraphonic listening more practical for owners who already had a good stereo amplifier and front speakers.
Unlike the earlier QS-1 processor, the QS-100 includes its own two-channel rear power amplifier. Sansui rated it at 15 watts per channel into 8 ohms, enough for many efficient vintage speakers and typical rear-channel duties. A phase-modulation circuit was used to reproduce changing ambient and reverberant information through the rear channels, with selectable listening modes for different source material and effects.
Highlights
- Four-channel rear amplifier with integrated Sansui QS synthesizer/decoder
- Adds two amplified rear channels to an existing stereo system
- Rated at 15 watts per channel into 8 ohms
- Processes matrix-encoded quadraphonic material and conventional stereo sources
- Selectable sound-field modes, rear-level control, tape connections, and four-channel auxiliary inputs
- Compact brushed-aluminum component styling typical of Sansui’s early-1970s equipment
Who It’s For
The QS-100 is especially interesting for enthusiasts building a period-correct quadraphonic system without replacing their existing stereo amplifier. It also appeals to Sansui collectors and listeners curious about the inventive—and sometimes eccentric—ways manufacturers approached surround sound before modern digital formats.
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