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Classé audio

Classé Thirty and Classé Seventy

Classé Thirty and Classé Seventy

Regular price $1,200.00 USD
Regular price Sale price $1,200.00 USD
Sale Sold out

Overview

This Classé pairing combines the Thirty remote-control balanced preamplifier with the Seventy stereo power amplifier. Built in Canada in the early 1990s, the two components represent Classé’s earlier generation of compact, understated high-end separates before the company moved toward larger and more elaborate designs.

Why This Pair Matters

The Thirty is more than a minimalist line stage. It provides both single-ended and balanced outputs, remote control, multiple source inputs, and a built-in moving-magnet/moving-coil phono stage. That combination made it unusually flexible for an audiophile preamplifier of its era, especially for listeners using both analog and line-level sources.

The matching Seventy is a high-current stereo power amplifier rated at roughly 70 to 75 watts per channel into 8 ohms and approximately 150 watts per channel into 4 ohms. Its ability to double output into the lower impedance is a meaningful indicator of the power supply and output stage behind the modest headline rating. Balanced and single-ended inputs allow it to integrate naturally with the Thirty.

A contemporary review identified coherence as the pair’s defining virtue. It was not presented as the most forceful amplifier combination in its class, but rather as a musically integrated, refined system best matched with speakers of reasonable sensitivity and impedance.

Highlights

  • Early-1990s Canadian high-end separates
  • Thirty preamplifier with remote control
  • Moving-magnet and moving-coil phono capability
  • Balanced and single-ended preamp outputs
  • Seventy amplifier rated around 70–75 watts per channel into 8 ohms
  • Approximately 150 watts per channel into 4 ohms
  • Balanced and single-ended amplifier inputs

Who It’s For

This set suits a listener seeking compact, period-correct Classé separates with genuine audiophile credentials and useful phono flexibility. It is best viewed as a coherent, refined pairing rather than a brute-force solution for exceptionally difficult loudspeakers.

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